Actual History of the Rise of Contemporary Christian Music
The hippie Summer of Peace took place in 1967. By 1968 the drug branch of hippie culture had separated from the peace and love branch and that branch itself split into secular and Jesus people wings.
Church kids had been singing "camp songs" since the 1940s, either acapella or accompanied by acoustic guitar. With the rise of new folk music in the early 1960s, leaders of church youth and camp programs capitalized on this cultural phenomenon by structuring youth programs that included 20-30 minutes of singing of Christian choruses. The most effective youth ministers started services with fast songs and gradually slowed down the rhythm as the song lyrics moved, in relationship to Christ, from praise to devotion and holy living. But what went on in the youth services was not typical of the "adult" worship services. At successful churches, the adult service began with an organ prelude, continued with a 40-60 voice choir singing a hymnal "praise" composition, continued with 20 minutes of congregational singing of doctrinally-rich Christian hymns from the 1700-1800s, and ended with a stirring Bible message preached by a good pulpiteer. The doxology was often sung and usually some song of recession was played after the pastor pronounced the benediction and dismissed the adult congregation.
The Cultural Position of the Evangelical Church in 1970
At a typical evangelical mid-western church in the late 1960s, if a kid with long-hair responded to the message invitation, the first thing the deacons did was cut off his offending locks. What was it about long hair on a man which so offended? The church and conservative American politics were blended together in a cultural message that equated Christian holiness in dress and culture with early 1950's American clothing and grooming style. Furthermore, I Corinthians 11:14 stated, "Doth not even nature itself teach you that, if a man has long hair, it is a dishonor to him?" Seizing on apparent New Testament support for conservative American dress, church leaders initially condemned hippie dress, style, and music, even that of the sincere, but un-churched, Jesus people.
But this backfired. By 1969 evangelical church pastors realized that the youth ministries of their churches had been impacted by the Jesus movement outside the church. Church teenagers saw what appeared to be more love and acceptance among long-haired iconoclasts outside the church than among staid congregants within the church. Church emphasis on maintaining the privileged values of dress, style, and traditional Christian hymnal music seemed at odds with the emphasis of Jesus people on sincerity and devotion of the heart as the primary Christian concern.
The Evangelical Solution
The most thoughtful pastors and Christian leaders knew something had to be done. The static Christian church was in crisis. The less thoughted pounded the pulpit and shouted, "'As for me and my house …' we will remain where Jesus stood," confusing status quo American culture with Biblical principles.
What did the evangelical church do to stop the flight of Christian youth and evangelize the un-churched in the early 1970's? They took the historic Christian youth program and moved it from the church camp and an audience of teenagers to the 11:00 am Sunday adult worship service. The choir was disbanded, vocal soloists were condemned as self-glorifying, the organ and grand piano were pushed to the side and teenage musical guitar players replaced the classically trained pianist. The adult congregation began singing youth choruses all the time! The 11:00 am Sunday adult worship service began to resemble a service at a teenage Christian youth camp in the early 1960s. That's what happened!
The Place of Contemporary Worship Music in the Church
If your church has a contemporary worship service using a rock band singing rock anthems and choruses as worship staples, where do we go from here? Consider the following:
Over 30 years have pasted since the church adopted contemporary Christian music as standard Sunday adult music. At least three new generations of children have been introduced into the church since then. These new generations know nothing of the cultural struggles of the 60s-70s. Most of today's young adults who attend church have never heard a traditional hymn sung by a 60 voice choir (except at Christmas) and they've never seen a hymnal. Just as fashion style-setters and Disney movie producers re-release something from the past every 7-10 years, the evangelical Christian church is now justified in deviating from a musical standard set 30 years ago in response to a specific cultural challenge that is long gone.
The original use of Christian choruses in church was based on an evangelical program for church and un-churched youth. Like the 11:00 am adult church service, if the church offered an AM Sunday youth service, the attending kids sang the upbeat songs from the hymnal. Choruses were used primarily at evangelistic children's services outside the church. Why not move the Christian rock band from supporting adult worship at 11:00 am to outside the church, as a way to gather a crowd in public parks or at evangelistic events? This use of rock music would be consistent with historic Christian missionary activities and would actually make the thin Christian messages supplied by the lyrics serve as an introductory theological thought to a non-christian audience. Of course, evangelism means giving the audience gathered for the music a brief message from the Bible designed to speak to the hearts of those seeking forgiveness of sin and a new life in Christ. The fact that a church sponsored the concert would not be lost on those looking for community.
Two music legalisms have affixed the church for the last 30 years: contemporary versus traditional Christian music. Some felt that anything was not contemporary was unchristian. Why? Because it had a formalistic scent tinged with the dusty flavor of history. Contemporary meant unintended to church history. Traditionalists either railed against compromise or ignored non-traditional musical trends. Both streams are no longer convincing. The Sunday AM service is free to use any music, played well by accomplished musicians who want to glorify God (not themselves) on any instrument, sung by individuals, choirs, quartertes, or congregation in any musical style. It's music, not theology! It's about style and taste, it's not about supralapsarianism.
If every doctrinal argument raised in the past to condemn Christian rock was proved true, it does not matter. The church either embroidered youth culture and made it the central program of church worship or restored it. That is a fact of history!
Do not congratulate yourself if your church never greeted the rock band onto the Sunday morning platform and you are still singing out of hymnals, as your nomination did in 1960. If the contemporary evangelical church reaches into the back of its closet and retrieves a piece of antique culture (a hymn) for modern use, traditionalists should not rejoice that hymnal music has returned to vogue ..
The Way Forward
The evangel of the Christian faith remains the same in any age. However, in our post-modern, post-christian culture, churches need a new path forward in the twin goals of making disciples and growing Christians in the New Testament life. The key questions to answer are as follows:
How do we present a post-christian world culture with the always relevant call of Jesus Christ? This is evangelism.
How do we teach those who have accepted Jesus Christ as their Savior to live for Him as their Lord and Master? This is holiness.
Both evangelical and holy living messages must be a part of the total Christian word spoken to the modern world. Every local church has a personality. Every church has a pastor and Christian leadership who should connect with the twin goals listed above and find means to accomplish them in their own Jerusalem, Samaria, and to uttermost parts of the earth. Those who share similar philosophies of ministry can associate in denominations. The key ingredient in musical choice is motive, not style and taste. Any style of music can glorify God, what matters is the hearts of the players and the listening audience.
Why not use various music styles evangelistically? The old joke applies here: What do you call ten banjos at the bottom of the ocean? Answer: A good start! Every church music director has seen that style and taste in music varies very often church people. So, have a "Country and Western" Sunday, a "Classical" Sunday or a "Choir" Sunday and use style and musical taste as a way to get folk under the sound of Gospel preaching. Why exclude people by banishing their musical taste and style from your church's music program? Why drive people away or silence their praise by insisting that the same rock choruses be sung every other week played by a 3-guitar electric band? Why not have some Sundays when there is no music at all! Or some Sundays when all music is vocal and musical instruments of any kind are not played?
This is the essence of a post-christian presentation of the Gospel message. Christianity should no longer be identified by anything as exquisite as musical style. We play every kind of music on every instrument, only asking that it glorify God. We can dress in any color using any fabric, we only ask it be modest. We do not have to attend church dressed in our "Sunday Best", we can come as we are. If your church encougrages casual dress, why not have a Sunday where everyone is encouraged to dress in suits and ties as a special way, that day, to honor God?
Worship leaders, be advised: 1968 James Taylor-esque soft rock is no longer "contemporary" pop music. Christian worship can not be "contemporary" with the music of the world. You might get away with "Christian rap" in a black church (probably not), but you will not in a white, suburban church. The church is not about mimicking the hottest musical sensation or the latest pop musical style. The church is about Christ, eternal life, forgiveness of sins, holy living, and evangelizing the lost. Music is only one channel through which any of these things can be advanced. Having only one style of music in church "traditional" or "contemporary" limits your audience for the Gospel. Do something with your music program, do not just stand in place.
The Apostle Paul said, when speaking of his own position concerning cultural issues and the church, "I also please all men in all things, not seeking mine own profit, but the profit of the many, that they may be saved." 1 Cor 10:33. I do not like banjo music, you say. Then be sure to have a bluegrass music sunday. After the banjo pickers re-case their instruments, preach the Gospel. You will be surprised what God will do.